Cowboy<\/em>, de\u00a0Tarcisio Lara Puiati (10’53\u00bb, 2011, RJ, Brasil)<\/p>\nDa voz libertadora \u00e0 voz do Cariri<\/i>, de Fl\u00e1vio Alex Farias (20’37\u00bb, 2008, PB, Brasil)<\/p>\n
Desacerto<\/i>, de Eduardo Consonni e Rodrigo T. Marques (17\u201918\u2033, 2011, SP, Brasil)<\/p>\n
Desde el lejano sur<\/i>,\u00a0 de Ana Tipa ( 25\u201954\u2033, 2010, Uruguai)<\/p>\n
<\/i>Deseos sobre rieles<\/i>, de Adriana Sosa e Gustavo Vergara (20\u201923\u2033, 2010, Argentina)<\/p>\n
De utop\u00edas vivas<\/i>,\u00a0de Colectivo Audiovisual \u00abMonstruo del Palo\u00bb (10’09\u2019\u2019,2012, Argentina)<\/p>\n
Di\u00e1logos<\/i>, de Alice Riff (19′, 2011, SP, Brasil)<\/p>\n
Do morro?,<\/i>\u00a0de MykaelaPlotkin e Rafael Montenegro (20’07\u00bb, 2010, PB, Brasil)<\/p>\n
El mundo de Ra\u00fal<\/i>, de HorizoeGarcia e Jessica Rodriguez (22\u201926\u2033, 2010, Cuba)<\/p>\n
El predicador<\/i>, de Guillermo Brinkmann (11\u201945\u2033, 2012, Venezuela)<\/p>\n
El sue\u00f1o de Rodolfo<\/i>, de Barbara Alves, BarbaraRadwanska e Cristina Ceballos (8\u201915\u2033, 2013, Brasil-Cuba)<\/p>\n
Encanto,<\/i>\u00a0de Julia De Simone (17\u2032, 2007, RJ, Brasil)<\/p>\n
En mi tribuna<\/i>, de Victor Carrera (12\u201909\u2033, 2009, Equador)<\/p>\n
Entranhas<\/i>, de Marcelo Abreu G\u00f3is (18\u201920\u2033, 2008, BA, Brasil)<\/p>\n
Entre v\u00e3os<\/i>, de Lu\u00edsa Caetano (19’50\u00bb, 2010, DF, Brasil)<\/p>\n
Espacio Moneda<\/i>, de Ximena Pereira (7’03\u00bb, 2013, Chile)<\/p>\n
Espa\u00e7os lavadouros<\/i>, de Laurita Caldas (10\u201901\u2033, 1999, PB, Brasil)<\/p>\n
Est\u00e1 en tus ojos<\/i>, de Sergio Garc\u00eda Locatelli e Sean Schoenecker (6’13\u00bb, 2011, Peru)<\/p>\n
Estudo para o vento<\/i>, de Aline Portugal e Julia De Simone (9\u201931\u2033, 2011, RJ, Brasil)<\/p>\n
Estudo sobre o tempo<\/i>, de AmelSaadi e Pedro de Filippis (19\u201918\u2033, 2011, MG, Brasil)<\/p>\n
Exilio<\/i>, de Magal\u00ed Nieva (1’40\u00bb, 2013, Argentina)<\/p>\n
Existen<\/i>, de Esteban Insausti (21’15\u00bb, 2006, Cuba)<\/p>\n
Exu \u2013 al\u00e9m do bem e do mal<\/i>, de Werner Salles Bagetti (23\u201905\u2033, 2012, AL, Brasil)<\/p>\n
Feira livre<\/i>, de Isaac Chueke (18\u201910\u2033, 2003, RJ, Brasil)<\/p>\n
Fez a barba e o choro<\/i>, de Tatiana Nequete(21\u201939\u2033, 2011, RS, Brasil)<\/p>\n
Fidel y las cucharitas<\/i>, de Raquela Conde (21’14\u00bb, 2005, Cuba)<\/p>\n
Filhos do trem<\/i>, de Fernanda Benichio, Marcelo Fernando Domingues, Reinaldo Silva e Leonardo Rodrigues (5\u2032, 2005, SP, Brasil)<\/p>\n
Flores em vida<\/i>, de Eduardo Consonni e Rodrigo T. Marques (12’11\u00bb, 2008,SP, Brasil)<\/p>\n
Fome de bola<\/i>, de Isaac Chueke (20\u201935\u2033, 2010, RJ, Brasil)<\/p>\n
Goles y metas<\/i>, de GingerGentile e Gabriel Balanovsky (6\u2032, 2009, Argentina)<\/p>\n
Hijos de la tierra<\/i>, de Diego Sarmiento (15\u201913\u2033, 2013, Peru)<\/p>\n
Hombre vs meteorito<\/i>, de Gabriel Balanovsky (10\u201941\u2033, 2009, Argentina)<\/p>\n
Horneros<\/i>, de Julia Tiscornia (13\u201943\u2033, 2010, Argentina)<\/p>\n
Huyendo del tiempo perdido<\/i>, de Cinthia Rajschmir (6′, 2013, Argentina)<\/p>\n
Imitaci\u00f3n<\/i>, de Paula Herrera (4\u201911\u2019\u2019, 2012, Argentina)<\/p>\n
Infinito Hermeto<\/i>, de Diego Arraya (25′, 2003,SP,Brasil)<\/p>\n
Informe sobre la inequidad<\/i>, de Pablo Nisenson (10’30\u201d, 2011,Argentina)<\/p>\n
Inspiraci\u00f3n<\/i>, de Valentina Baracco Pena (5’46\u00bb, 2009,Uruguai)<\/p>\n
Intervenha aqui<\/i>, de Sidney Dore (14\u2032, 2011, RJ, Brasil)<\/p>\n
<\/i>Jose Manuel, la mula y el televisor<\/i>, de Elsa Cornev\u00edn (14′, 2003, Cuba)<\/p>\n
Jnichimtaktik (Nuestras flores),<\/i>\u00a0de Monica Parra (4\u201937\u2033, 2012, Argentina)<\/p>\n
Juanita<\/i>, de Andrea Ferraz (7’19’, 2011,PE, Brasil)<\/p>\n
KinOpo\u00c9TicaS \u2013 KatariKamina<\/i>, de Pedro Dantas (14\u201955\u2033, 2011, Brasil-Chile).<\/i><\/p>\n
KinOpo\u00c9TicaS \u2013 Torpellino<\/i>, de Pedro Dantas (10\u201919\u2033, 2010, Brasil-Chile)<\/p>\n
Koridel<\/i>, de Carlos G\u00f3mez de laEspriella (23\u201910\u2033, 2011, Venezuela)<\/p>\n
Kwe’sx Thegnxisa: Nuestra Mirada<\/i>, de M\u00f3nica Mondrag\u00f3n (27\u201954\u2033, 2012, Col\u00f4mbia)<\/p>\n
La chirola,\u00a0<\/i>de Diego Antonio Mondaca (25’37\u00bb, 2008, Cuba)<\/p>\n
Lady Christiny<\/i>, de Alexandre Lino (12\u201926\u2019\u2019, 2006, RJ, Brasil)<\/p>\n
Las cartas de la Plaza Santo Domingo<\/i>, de Tatiana Carvalho Costa (11\u201901\u2033, 2009, Brasil-M\u00e9xico)<\/p>\n
Las cartas m\u00edas (un primer pu\u00f1ado de ellas)<\/i>\u00a0de Natalia Sol\u00f3rzano V\u00e1squez (21\u201905\u2033, 2013, Espanha-Costa Rica)<\/p>\n
La renoleta celeste<\/i>, de Gerardo C\u00e1ceres (12\u201935\u2033, 2008, Chile)<\/p>\n
La voz de los sobrevivientes<\/i>, de Marta Rodriguez (16′, 1980, Col\u00f4mbia)<\/p>\n
Lejos<\/i>, de Carol Vilela (19′, 2013, RJ, Brasil)<\/p>\n
L\u00edneas del encuentro<\/i>, de Francisco Rios Flores (7\u201920\u2033, 2010, Argentina)<\/p>\n
Linhas em m\u00e3os<\/i>, de Hopi Chapman (15\u201935\u2033, 2007, CE, Brasil)<\/p>\n
Linha de fogo<\/i>, de Marcelo Abreu G\u00f3is e Uir\u00e1 Meneses (18\u201909\u2033, 2009, BA, Brasil)<\/p>\n
Los animales<\/i>, de Paola Buontempo (8\u201943\u2033, 2012, Argentina)<\/p>\n
Los Blanco<\/i>, de Leo Ayres (8\u201948\u2033, 2009, Brasil-Cuba)<\/p>\n
Los chicos invisibles<\/i>, de Mario Levit, (26\u201912\u2033, 2011, Argentina)<\/p>\n
Matadores de Victoria<\/i>, de Juan Carlos Dall\u2019Occhio e Agust\u00edn Kazah (11\u201932\u2033, 2011, Argentina)<\/p>\n
Maestros de Ribera<\/i>, de Mario Bravo Gallardo (11\u201943\u2033, 2013, Chile)<\/p>\n
Manguezal do Jequi\u00e1<\/i>, de Marcio Isensee e S\u00e1 (3\u201955\u2033, 2010, RJ, Brasil)<\/p>\n
Marias<\/i>, de Wes Gondim (27\u201930\u2033, 2013, DF, Brasil)<\/p>\n
Mapuche \u2013 Gente de la tierra<\/i>, de F\u00e1bio Al\u2019camino, Fernando Silva, JamilaVenturini, (27\u201910\u2033, 2012, Brasil-Argentina-Chile)<\/p>\n
Mby\u00e1 rek\u00f3 pygu\u00e1, a luz das palavras<\/i>, de K\u00e1tia Klock e Cinthia Creatini da Rocha (18\u2032, 2012, SC, Brasil)<\/p>\n
Miguel Batista,\u00a0<\/i>construtor de imagens, de Jos\u00e9 Lu\u00eds de Freitas (15\u201901\u2033, 2010, SP, Brasil)<\/p>\n
Mobilizou Geral – A longa d\u00e9cada de 80 na fotografia de Vera Jursys<\/i>, de Vera Jursys (15′, 2012, SP, Brasil)<\/p>\n
Murales por la Identidad: Jorge Cuello,\u00a0<\/i>de Mauro Osorio (10\u201954\u2033, 2013, Argentina)<\/p>\n
No hay dolor ajeno<\/i>, de Marta Rodriguez e Fernando Restrepo (22′, 2012, Col\u00f4mbia)<\/p>\n
O fio da hist\u00f3ria, entre agulhas e tecidos<\/i>, de K\u00e1tia Klock (15\u2032, 2000, SC, Brasil)<\/p>\n
O homem da massa<\/i>, de Marcelo Abreu G\u00f3is (23’23\u00bb, 2013,BA, Brasil)<\/p>\n
Oma,<\/i>\u00a0de Michael Wahrmann (22′, 2011,SP, Brasil)<\/p>\n
O maior samba do mundo<\/i>, de Naira Martins (21\u201948\u2033, 2012, RJ, Brasil)<\/p>\n
O que Bererico vai pensar<\/i>, de Diego Scarparo (27\u201935\u2033, 2012, ES, Brasil)<\/p>\n
O sonho guardado<\/i>, de Mon Ross (13\u201940\u2033, 2012, Argentina)<\/p>\n
O \u00faltimo tropeiro<\/i>, de Felipe Shikama e Guina Pereira (5′, 2012, SP, Brasil)<\/p>\n
Periferias interiores<\/i>, de Sergio Garc\u00eda Locatelli (19\u201940\u2033, 2009, Espanha-Peru)<\/p>\n
Piove, ilfilmdi Pio<\/i>, de Thiago Brandimarte Mendon\u00e7a (15\u2032, 2012, Brasil-It\u00e1lia)<\/p>\n
Primera sangre<\/i>, de Ramiro Longo (10’01\u00bb, 2012, Argentina)<\/p>\n
Pontos de vista: adotivo<\/i>, de Rodrigo Souto (11\u2032, 2013, SP, Brasil)<\/p>\n
Projeto p\u00e1ssaros de sub-bosque<\/i>, de Pablo Corbett (15\u2032, 2010, SP, Brasil)<\/p>\n
Retratos<\/i>, de Leo Tabosa e Rafael Negr\u00e3o (17\u201927\u2033, 2010, PE, Brasil)<\/p>\n
Repo<\/i>l, de Gabriel Tabatcheik e Gustavo Ulisse (15\u2032, 2009, PR, Brasil)<\/p>\n
Riloq\u2019ol\u00e4j maya\u2019 q\u2019aq\u2019 \u2013 El fuego sagrado maya<\/i>, de Ezequiel Sanchez (21\u201958\u2033, 2012, Guatemala)<\/p>\n
Rio de mulheres<\/i>, de Cristina Maure e Joana Oliveira (21\u2032, 2009, MG, Brasil)<\/p>\n
Sal\u00e3o dos Artistas<\/i>, de Jos\u00e9 Faustino Neto (12’46\u00bb, 2012, AL, Brasil)<\/p>\n
Samba de quadra<\/i>, de Gustavo Mello (17’33\u00bb, 2009, SP,<\/b>\u00a0Brasil)<\/p>\n
Sangre en el plomo<\/i>, de Miguel Pereira (11′, 2011, Argentina, Brasil)<\/p>\n
Santuario<\/i>, de Jos\u00e9 Miguel Matamala (13\u201931\u2033, 2011, Chile)<\/p>\n
Sem perder a ternura<\/i>, de Marcia Para\u00edso e Ralf Tambke (23\u2032, 2012, SC, Brasil)<\/p>\n
Sin felicidad<\/i>, de Dzigapy (3’43, 2012, Paraguai)<\/p>\n
Si seguimos vivos,\u00a0<\/i>de Juliana Fanjul (23\u2019, 2010, Cuba)<\/p>\n
Sintonia,\u00a0<\/i>de Raquel Pinheiro e Arthur B. Senra (6’40\u00bb, 2012, MG, Brasil)<\/p>\n
S\u00edrios em transi\u00e7\u00e3o<\/i>, de Marina Darmaros e WissamMoukayed (15’35\u00bb, 2013, SP, Brasil)<\/p>\n
Skin destination,<\/i>\u00a0de Adriana Trujillo (10’17\u00bb, 2012, M\u00e9xico)<\/p>\n
Sopra la citt\u00e0, sotto la montagna<\/i>, de Rodrigo Dutra, Angela Pastores e Federico Gonzo (15\u201903\u2033, 2012, Brasil-It\u00e1lia)<\/p>\n
Tem gringo no morro<\/em>, de Bruno Graziano e Marjorie Niele (26’51\u00bb, 2013, SP, Brasil)<\/p>\nThe FreakingFuckingSitarPlayer<\/i>, de Marco Dellacosta (14\u201930\u2033, 2013, SP, Brasil)<\/p>\n
Tiempo robado<\/i>, de Silvia Tello (11’27, 2011, Peru)<\/p>\n
Tierra fresca y mojada<\/i>, de Alejandro Ferlinie Daniel Peraza (22’12\u00bb, 2013, Costa Rica)<\/p>\n
Toda esta sangre en el monte<\/i>, de Mart\u00edn C\u00e9spedes (22\u2032, 2012, Argentina)<\/p>\n
Transcrever<\/i>, de Paulo Murilo Fonseca e Pollyana Ferrari (19\u201946\u2033, 2012, SP, Brasil)<\/p>\n
Trombas e formoso: mem\u00f3rias de uma luta<\/i>, de Gabriela Marques Gon\u00e7alves (18\u201953\u2033, 2010, GO, Brasil)<\/p>\n
Uakti<\/i>, de Rafael Conde (12\u2032, 1987, MG, Brasil)<\/p>\n
\u00daltimo retrato<\/i>, de Abelardo de Carvalho (9’27\u00bb, 2009, RJ, Brasil)<\/p>\n
Um rio invis\u00edvel<\/i>, de Renata Druck (24\u201921\u2033, 2009, SP, Brasil)<\/p>\n
Verdejar<\/i>, de Marcio Isensee e S\u00e1 (5\u201958\u2033, 2011, RJ, Brasil)<\/p>\n
Versos da Ilha<\/i>, de Daniel Choma (13’04\u00bb, 2013,SC, Brasil)<\/p>\n
Viva Cabo Verde<\/i>, de Marcia Rego, Hermes Illana e Alan Langdon(16\u2019,2002, SC,Brasil)<\/p>\n
Vlado e Birri: encontros<\/i>, de Marina Weis e Laura Faerman (11\u201927\u201d, 2012, Brasil-Argentina)<\/p>\n
Xukuru Ororub\u00e1<\/i>, de Marcilia Barros\u00a0 (15’46,1986, BA,Brasil)<\/p>\n
Yo dual<\/i>, de Alana Sim\u00f5es (13′, 2007, Cuba)<\/p>\n
Yolanda O<\/i>, de Ronald D\u00edaz V.(25′, 2011, Costa Rica)<\/p>\n
Yo no te puedo llamar<\/i>, de Horizoe Garc\u00eda (3′, 2009, Cuba)<\/p>\n
Walter Franco<\/i>, de Bel Bechara e Sandro Serpa (24’44\u00bb, 2000,SP, Brasil)\u00a0<\/p>\n
<\/p>\n
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<\/p>","protected":false},"excerpt":{"rendered":"
\u00a0\u00abMobilizou Geral – A longa d\u00e9cada de 80 na fotografia de Vera Jursys\u00bb, de Vera Jursys \u00a0 A lo largo de 2013, el programa de\u00a0CurtaDoc, destinado a promover la cultura documental en la televisi\u00f3n, ha ampliado sus acciones en toda Am\u00e9rica Latina.\u00a0Este a\u00f1o, \u00a0aument\u00f3 el n\u00famero de pel\u00edculas disponibles en su acervo en l\u00ednea.\u00a0 En […]<\/p>\n","protected":false},"author":2561,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6523],"tags":[],"class_list":["post-27886","post","type-post","status-publish","format-standard","hentry","category-news"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t
![\"mobilizou\"](\"http:\/\/curtadoc.tv\/wp-content\/uploads\/2013\/12\/mobilizou.jpg\")
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